Author: Mark

21 Mar

Climbing “Below the Bridge” to Capture This Photograph Was Worth It

In the St.Louis region we do not get snow with any frequency or consistency. Unlike living up north, it is a special occurrence when it happens and I usually try to find a way to photographically take advantage of the opportunity. In one of those special mornings, I went out driving around the Illinois side of the St.Louis area exploring for places to shoot. In the area of Lebanon, Illinois I passed over a highway bridge located close to a railroad bridge. I pulled over and made my way under the highway bridge, and through a significant amount of mud, I line up this photograph just right. By the time I got back to my car, I was covered in mud from slipping and sliding and drudging through it all.

In the early morning after a fresh snowfall, the snow remains on each individual branch but only for a short time. Soon after it melts quickly and completely changes the overall image of the landscape. The contrast of the branches in black & white with the white snow gives an added depth to the branches into the proceeding distance. The stillness of the creek water also gives a sheer glass appearance. This is one of my most popular photographs and is easily my wife’s favorite as well. I love this photograph because it is a constant reminder that struggling to a location to get that one photograph you can only envision in your mind can so be worth it, because once you’ve got it, its yours and moments like that never last long.

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18 Mar

Experimentation is “The Gateway” to Great Photography

The St.Louis “Gateway” Arch in St.Louis, Missouri is easily one of the most photographed locations and objects in the St.Louis region. With it being so massive, it offers a challenge in trying to devise a unique way of capturing an image of it without the use of any aircraft. I spent an afternoon experimenting with angles, reflections, and exposure with this image being the result.

With this perspective it almost appeared like a futuristic racetrack shooting into the sky. If it weren’t for the faint clouds captured above, one might not even recognize this was a photograph pointed skyward. The lines of the seams on the metal plates of the arch add some interesting depth of field, as the blue sky reflects giving the steel a cool blue appearance.

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14 Mar

Shadows and Lines Can Lead You to a “Dark Alley”

Another photograph I captured in the early 2000’s during a walk through South St.Louis resulted with this image ending in a “Dark Alley.” During this time I experimented alot with adding slight color to my black and white photographs in an effort to completely change the atmosphere. The original photo had more light colored bricks with lots of shadow.

The result was this cool blue image detailed enough to capture each brick, while giving this oppressive feeling of being completely surrounded. Is it a sanatarium? Is it some government building? I wanted to leave the viewer with a more imposing, sinister feeling with this photograph.

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12 Mar

Photography Begins With What You “See”

In the early 2000’s after my return to St.Louis I began to focus on a few specific aspects with my photography; 1) architecture & texture and 2) minimal amounts of color. During my exploration of downtown St.Louis, I gained access to some of the upper floors of an old office building and capture this photograph, “See.” It was shot with the old Nikon I referenced earlier.

I wanted to capture strong depth-of-field as well as the texture of the concrete around the glass. The thought process was to create an image that was less based in reality and more of a surreal or sci-fi graphical element. The image was edit in Photoshop but only to remove all the color except for the one glass piece.

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07 Mar

Ghostly Silhouettes in the “Rear Window”

Like my previous post “Long Hall” I was exploring some old buildings in downtown St.Louis with my return to the area. “Rear Window” was my experimenting with perspective with textures like broken glass and angles.

The frosted glass made for some unique silhouetting in the distance, along with the contrast of one clear plate of glass. The cracks in the glass and old window frame also created more stark contrast to the frosted white array. This is another example of some of my earlier work with digital photography.

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05 Mar

Capturing the Depth of the “Long Hall”

In 2004 I returned to the St.Louis region and was living on the Illinois side. Whenever I got the chance I would explore some of the old buildings of downtown St.Louis. Wandering into a hallway I’m not sure I was allowed to be, I captured this “Long Hall.” It was part of a skywalk system between two buildings. The white brick and the frosted glass windows offered a great contrast with the black window frames and black door at the end of the hall. I always love to capture strong depth-of-field in order to have the viewer truly be drawn into the photograph.

This was also one of my first photographs captured with a digital camera, the Nikon E4500. With its rotating lens it provided alot of ease in capturing interesting angles that were more challenging with other cameras. Though the megapixels sizes it captured had limitations I did not have with film, it was a fun camera for my first digital.

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29 Feb

On a Forgotten Farm Where One Car Have “Gone to Pieces”

The past several photos I shared from the old swamp full of abandoned vehicles, near the Fort Ransom County farm in North Dakota had a few things in common, they were mostly whole. The remains of this car is not the case and has certainly “Gone to Pieces.” The tall grass definitely takes up a majority of the photo, with only parts of the vehicle sticking out from below. They are truly nested and over grown within the grass, creating a stark contrast in textures.

The second vehicle in the background hints to how it could have appeared before. I photographed everything with a tripod, 100 ISO black & white film and f22, because I wanted to capture every detail clearly, from the background to every blade of grass.

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27 Feb

Enjoying the View From “Behind the Wheel”

This photograph captured at the abandoned Fort Ransom County farm continued my study of the swamp of abandoned vehicles behind the farm. The unusual perspective of the dashboard “Behind the Wheel” of this old Chrysler minus the interior roof and door created a vision of this out-of-place view of their expected norms.

The challenge of this shot was to capture most of the dark place beneath the dashboard, while maintaining the detail but not blow out the light colored tall grass behind it. I learned early on, especially with shooting film, the value of bracketing photos with slight changes in camera settings in order to find the one shot that lights the subjects perfectly.

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22 Feb

My Eerie Fascination With My Photograph “Overgrown”

This particular photograph is by far my favorite of all the photos I captured at the abandoned Fort Ransom County,  North Dakota farm. This old classic car left empty and abandoned truly epitomizes all the vehicles I found there, buried in the tall grass like a relic from a time long past.

The smooth black metal created a high contrast to the rough, faded grass surrounding this old car. Apart from the physical details of the image, it also seems to tell a story and sparks the imagination like most classic cars do. What did the car look like when it was new? Was it some young person’s first car?

This photo always reminded me of the Stephen King movie “Christine” about a demon-possessed car that look much like this one. To me, there was always some sort of eerie and haunting sense about this photograph that continues to instilled a curiosity, even 25 years later. Some photographs can really stick with you years later, and this one does with me.

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21 Feb

Joining the Fstoppers Collection of Photographers

I just joined other great photographers at Fstoppers.com. I shared a few of my low light photographs in my profile there. You can check it out at this link. Fstoppers.com/profile/markpolege If you like good photography, I invite you to stop on by and share some love.

fstoppers Mark Polege


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