Images

Not many may know but my introduction to St.Louis, Missouri was the result of my father making a career change. After several years in the banking industry, my father went back to school to become a Lutheran pastor. We arrived from the Wisconsin/Minnesota area in 1984 on a hot August day where the temp was 105 degrees. I was a mere 13 yrs old and seeing the Concordia Seminary campus was like moving to the area of a castle and courtyards. The architecture blew me away and I was a huge fan ever since.

Its peaceful campus has been a refuge of sorts for me over the many years as I moved and traveled in and out of the St.Louis area. The gothic campus buildings were constructed in 1922 with Luther Tower being completed in 1966. It was a blessing and a privilege to grow-up with this beautiful campus as my backdrop.

In December of 2014 I had the honor of becoming a campus Photographer and Web Developer for Concordia Seminary, my father’s alma mater. While on staff at Concordia I captured this evening photograph of the quad of Luther Tower and the surrounding buildings.

After “Call Day” 2015’s evening service, when newly graduated student pastors are assigned their first church, I captured this nighttime photograph from an adjacent building. This image capture was a few seconds long, which at that exact moment also captured a commercial jet flying directly above the cross at the top of the Chapel of St. Timothy & St. Titus. These two photographs were part of the Concordia Seminary wall calendar for 2016. The evening Call Day photograph was also awarded the First Place Award of Excellence in the category of Photography by the Associated Church Press, for its appearance in Concordia Seminary Magazine.

Around this time I captured some sunlit tulips in front of the Chapel of St. Timothy & St. Titus. That photograph was later featured on the cover of Dr. Dale Meyer’s book Word Alive!, who was serving as Concordia Seminary’s Campus President. Dr. Meyer’s book of his selected sermons was published in 2017.

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One of the most noticeable and recognizable old churches of the downtown St. Louis landscape is Christ Church Cathedral, which located across the street, due east, of the downtown St.Louis Public Library. The parish was founded in 1819 with no church, just a meeting hall. The size of the parish grew several times and was forced to relocate due to its size. In 1859 it settled in its current location, and completed in 1867. In 1888-1889 the church finally became a cathedral, a title the references the official seat of the bishop. It is the oldest Episcopalian Church west of the Mississippi River.

Christ Church Cathedral has a very interesting history with unique references to popular figures through history. For example, there is a plaque commemorating the famous poet T.S. Eliot who was born in St.Louis, upon request of his wife. He was also the grandson of a Unitarian minister who was one of the two founders of Washington University.

The reredos, the “screen” behind the alter was gifted by the local industrialist Benjamin Brown Graham, whose wife, Christine Blair Graham, gifted the memorial chapel at Washington University. The statues of the screen were carved in Exeter, England to match the style of churches and castles in England.

The bells in the bell tower are replicates of the bells from the World’s Fair from 1904.

The piano was once the property of Elton John.

The Founder of the Missouri Botanical Gardens, Henry Shaw was a member of the church, and left money for a Spring celebration for Flower services which take place 2 or 3 Sundays after Easter.

Christ Church Cathedral is as much a historic museum as it is a church. It has a wonderful history that ties together St.Louis and the rest of the world. It also has a number of community outreach programs that continue to serve the people of St.Louis. It was my appreciation for this church’s architecture that really helped me to recognize the historic gems that the city of St.Louis has to offer.
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If you missed my previous post on the photographs and history of the Shrine of St. Joseph in St. Louis, as part of my Churches Under God photographic project, you can read that post here. From 1870 to 1910 St. Joseph reached its peak of membership and success with membership rolls reaching about 4,000 with 5 masses every Sunday in 1910. In the 1950’s a nearby school had closed, as more settlers left the city and moved further west. By 1965 the Jesuits left the church and gave it to the Archdiocese.

In the fall of 1979 tragedy struck. Father Edward Filipiak who served as the parish pastor of St. Joseph was the victim of burglary and a beating that resulted in his death. I described the details and the miraculous community outreach to St. Joseph that followed at ChurchesUnderGod.com:

Father Filipiak’s death hit the Archdiocese and the community so hard that Arch Bishop John May agreed to lease the church to the Friends of St. Joseph for $1 per year to see if they could raise the money to save the church. To St. Joseph’s joy labor unions and local businesses donated enormous amounts of time and resources to saving the church. When word got around of all the support for St. Joseph’s Parish, a housing development company poured $50 million into restoring the housing around the church. Sad as it is, it is believed that Father Filipiak’s death became a catalyst for saving St. Joseph’s Parish and in turn making him a martyr. Shortly after, in 1982, St. Joseph’s Parish became the Shrine of St. Joseph.

The “Friends of the Shrine” began a grassroots effort to raise money for the restoration projects for the Shrine of St. Joseph as tasks could be afforded. Their hard work has resulted in raising over $5 million to restore this historic church. Many believe that the restoration of the Shrine of St. Joseph helped spark the restoration of other parts of downtown St. Louis like that of Washington Ave.

This week I am continuing to highlight my “Churches Under God” photographic project by focusing on The Shrine of St. Joseph. St. Joseph was founded in 1843 by Jesuits seeking to serve St.Louis’ population of German immigrants. Land was donated to the Jesuits by Mrs. Ann Biddle for the purpose of building a church.

In 1861 the miraculous healing of a soap factory worker named Ignatius Strecker lead to the canonization of Peter Claver. From my article at ChurchUnderGod.com:

About that time a well known missionary by the name of Father Francis Xavier Weninger, S. J. had traveled to St. Joseph’s to preach. Mrs. Strecker had heard that Father Weninger would be blessing the sick with the relic of Peter Claver after a special sermon. So Mrs. Stecker struggled to get Ignatius to St. Joseph’s Church for the message and blessing. After Father Weninger’s sermon on Peter Claver, Father Weninger blessed him and allowed him to kiss the relic.

Read more about very miraculous recovery in my article at: ChurchesUnderGod.com.

In the early 1870’s the Jesuits had ordered a statue of the Blessed Mother Mary for St. Joseph’s Parish from a company in Spain. Also happening around this time in Europe was the Franco-Prussian War. At the same time the Notre Dame Cathedral in Paris had ordered a statue of the Blessed Mother Mary as well, but a much more expensive one constructed of higher quality. Fortunately, for St. Joseph’s Parish, the company in Spain was unable to deliver the statue intended for the Notre Dome in Paris due to the war, so the company in Spain shipped that statue of Mary to St. Joseph’s Parish for the same price. All this time that statue has remained behind glass, preserving it for over 100 years.

St.Joseph truly has an amazing history filled miracles and inspiration. Despite the appears of what looks like marble in the photographs of the church, it was actually hand carved wood faux painting by German immigrants in the 1800’s. The beauty of their work is awe inspiring.
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This is my second group of photographs I am sharing which captured during my visit to St. John’s Nepomuk Chapel in St.Louis. Some of these photos were part of my Churches Under God project, where I photographed and wrote about the history of a few of St.Louis’ oldest churches. St. John’s has a long, rich history as the 1st Czech Catholic Church in America. It served as a uniting force for immigrants coming to America and St.Louis in the mid 1800’s. They built a school and a printing press, and conducted services in multiple languages.

At a point in St. John’s history of great success it was stricken by the Tornado of 1896. This is an excerpt from my article on St. John’s history from ChurchUnderGod.com:

It was at the church’s height in 1896 when about 1000 people were affiliated with the church in some way and almost 800 children were attending the school. The parish had grown so much that it sparked the founding of a new parish by Father Hesson, St. Wenceslaus. All of St. John’s buildings were in first class shape; its 2 large schools, Sisters’ house, rectory, church, parish hall, and all debts were nearly paid off.

It was also around this time when the Tornado of 1896 tore through south St. Louis and destroyed a number of churches, with St. John Nepomuk being one of the worst damaged. The church was nearly completely leveled except for the front wall of the main entrance where the date “1870” remained.

“When we of today glance at the 1870 above the entrance to our church, we can be reminded of the struggles of the Catholic Church in that fateful year, and of its ultimate triumph; and also of the brave struggles of the parishioners of that day who made such a great sacrifices, in which we share today, for the fruits of those sacrifices are our inheritance. May we of today be worthy of that heritage!” – Rev. Albert J. Prokes in 125th Jubilee of St. John Nepomuk Church (1979).

What began as a mission of founding a church for the Bohemian Hill neighborhood in 1854 had grown to be one of the most popular Christian churches to welcome immigrants from all over Europe. From ChurchUnderGod.com:

One very important mission that Father Hesson felt that St. John Nepomuk Parish could serve was to unite immigrants who did not have a church of their own. In an effort to preserve the faith of Poles, Slovaks, Ukrainians, Croatians and Slovenes, he welcomed them to St. John’s and helped guide them to founding their own parishes. This was also further accomplished by joining the Catholic Central Union in 1877.

What’s makes the story of St. John’s Nepomuk Chapel so amazing is that in its prime, the church really did serve as the center of its community. It provided a place for education and socialization for all in the community, members and non-members alike. It truly served as a moral compass for those troubled and challenging times. St. John’s success served as a testament to what enormous obstacles can be accomplished when neighbors unite, for even its financial support came from the working class immigrants in the community.

There is simply too much beautiful artwork and views to see to do justice by photographs alone. It is truly a church worth visiting in person. And when you go, pick a sunny day, you’ll be glad you did.
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The next collection of photographs I want to share from my “Churches Under God” project is that of St. John’s Nepomuk Chapel. When I was researching historic churches in St.Louis, I happened upon a grainy old photo on the internet of the interior of the church with its amazing collection of life-size statues. When I arranged for a tour/interview with Deacon Mike Buckley to see the statues and learn about the church’s history, I thought I knew roughly what to expect. I was not prepared to be truly blown away by the vivid colors and breathtaking detail of their stained glass windows. I may share some of my photographs here, but these windows are most definitely a MUST SEE in person. On a sunny day the colors are like nothing I have ever seen before.

The statues throughout the church are every bit as amazing in detail as you might imagine. The craftsmanship is truly incredible. At the entrance you will find these three angels. On the alter you will find this hand-carved and crafted work of biblical figures.

One of my favorite photographs I captured of all these churches is this one of a statue of Christ hanging on the cross while juxtaposed to the stained glass image of Christ’s resurrected. When I saw the statues and the stained glass windows, I wanted to capture a photograph that encapsulates the full spectrum of the Easter story. You cannot have the resurrection without the death and vise versa. This image captures that full contrast of death to life.

Here is the nativity scene illustrated in stained glass, along with the full scene of Christ’s resurrection.

The following is an excerpt from my article on the history of the stained glass windows at St. John’s Nepomuk Chapel as published on ChurchesUnderGod.com:

It was also in 1929 when the brilliantly colorful stained glass windows were installed in the church. The artist, Emil Frei, was in Germany at the time, but in 1895 he and his new bride emigrated to San Fransisco through New York. By 1898 they had settled in St. Louis because of its large German population that made them feel more at home. In St. Louis he started the Emil Frei Art Glass company where it remains today.

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